CONCEPTUAL PARADIGM OF RELIGIOUS STYLE IN THE ACADEMIC PROJECT “UKRAINIAN STYLISTICS: ENCYCLOPEDIA”

Tetiana Kots

Information about the author:  Doctor of Philological Sciences, Senior Researcher, Institute of the Ukrainian Language of National Academy of Sciences of Ukraine

e-mail: tetyana_kots@ukr.net

Title: CONCEPTUAL PARADIGM OF RELIGIOUS STYLE IN THE ACADEMIC PROJECT “UKRAINIAN STYLISTICS: ENCYCLOPEDIA”

Rubric: TERMINOLOGY OF LINGUISTIC. TERMINOGRAPHY AND PRACTICE OF COMPILING BRANCH DICTIONARIES

Language: Ukrainian

Abstract: The article analyzes the conceptual paradigm of religious style as a kind of literary language in terms of the concept of an encyclopedic publication on Ukrainian stylistics. Particular attention is paid to the establishment of its differential features, functions,  varieties (the language of Scripture, liturgical language, the language of preaching), categories (sacredness); coverage of the historiography of  style in Ukrainian linguistics. The concept of religious style is systematized in the context of the typology of linguistic thinking, the establishment of a view of the history of literary language and its styles as phenomena closely related to the philosophy of culture, the development of national consciousness. The conceptual paradigm of religious style is based on hypero-hyponymic connections and
provides substantiation of the status of concepts, establishment of their differential features and coverage of historiography of style in  Ukrainian linguistics.
The fundamental publication “Ukrainian Stylistics: Encyclopedia” should systematize the linguistic-stylistic terminological apparatus in the  modern scientific paradigm, trace the connection of linguistic-stylistics with the theory and history of literary language. This work involves  the interpretation of the category of style in the context of the typology of language thinking, the definition of its subordinate concepts, the  establishment of a view of the history of literary language and its styles as phenomena closely related to philosophy of culture, development of national consciousness. The conceptual paradigm of religious style is based on hypero-hyponymic connections and provides  substantiation of the status of concepts, establishment of their differential features and coverage of historiography of style in Ukrainian  linguistics, which language our people refuse their daily prayers.
Religious style is fully developed in all spheres of church life and unites various genres: Scripture, liturgical; Holy Father’s, life, preaching,  scientific-theological, ecclesiasticallegal, educational-religious, pilgrimage, polemical, enriching the literary language with new sacred and  valuable linguistic means.

Keywords: religious style, language of the Holy Scripture, liturgical language, language of sermon, sacredness.

References

1. 1. Babych, N.D. (2009). Bohoslovskyi styl ukrainskoi movy u konteksti stylistychnoi nauky: zbirnyk naukovo-dydaktychnykh prats.  Chernivtsi (in Ukr.).
2. Horbach, O. (1988). Movostyl novitnikh perekladiv Sviatoho Pysma na ukrainsku narodniu movu 19–20 vv. In Naukovi zapysky  Ukrainskoho vilnoho universytetu: zb. movnoi komisii Naukovoho Konhresu v 1000-littia Khreshchennia Rusy-Ukrainy (Ch. 13: Filos.  f-t). (pp. 29–98). Miunkhen (in Ukr.).
3. Dzerovych, Yu. (1911). Ye shche kilka uvah v spravi shchodennykh molytov. Nyva, Vol. 8, ch. 4, 97–102 (in Ukr.).
4. Dziubyshyna-Melnyk, N. (1999). Konfesiinyi styl. In Najnowsze dzieje języków słowiańskich. Ukrainska mova (S. 185). Opole. (in Ukr.).
5. Zadorozhnyi, V. (1998). Do problemy rozvytku konfesiinoho styliu suchasnoi ukrainskoi literaturnoi movy. In Suchasna ukrainska  bohoslovska terminolohiia: Vid istorychnykh tradytsii do novykh kontseptsii: Materialy Vseukr. Nauk. konf. (Lviv, 13–15 May 1998) (pp. 142–144). Lviv (in Ukr.).
6. Kovaliv, P. (2007). Molytovnyk, sluzhebnyk: Pamiatka XIV st. NewYork, 1960, 12–21 (in Ukr.).
7. Kots, T. A. (2007). Sakralnyi styl. In Ukrainska linhvostylistyk: systema poniat i bibliohrafichni dzherela (pp. 213 – 250). Nizhyn (in  Ukr.).
8. Myronchuk, O.Ya. (2010). Vyokremlennia pidstyliv ta zhanriv u konfesiinomu styli ukrainskoi movy. Kultura slova, 72, 151–157 (in  Ukr.).
9. Nimchuk, V.V. (1992). Ukrainska mova – sviashchenna mova. Liudyna i svit, 11/12, 28–32 (in Ukr.).
10. Nimchuk, V.V. (1993). Ukrainska mova – sviashchenna mova. Liudyna i svit, 1, 35–39 (in Ukr.).
11. Ohiienko, I. (1921). Svitovyi rukh za utvorennia zhyvoi narodnoi natsionalnoi tserkvy. Tarniv (in Ukr.).
12. Puriaieva, N. (2017). Do problemy intertekstualnosti liturhiinoho tekstu: tsytata i parafraz. Kultura slova, 87, 144–156 (in Ukr.).
13.  Symonova, K.S. (1989). Ukrainska mova u konfesiinomu pysmenstvi XV st.: (Na materiali “Cheti” 1489 r.). In Zhanry i styli v istorii  ukrainskoi literaturnoi movy (pp. 56–79). Kyiv: Nauk. dumka (in Ukr.).
14. Skab. M. (2008). Zakonomirnosti kontseptualizatsii ta movnoi katehoryzatsii sakralnoi sfery. Chernivtsi (in Ukr.).
15. Clovnyk ukrainskoi movy v 11-ty tomakh (1977). (Vol. 8). Kyiv: Naukova dumka (in Ukr.). 16. Shchepaniuk, M. (1911). V yakii movi vidmovliaie nash narid svoi shchodenni molytv. Nyva,Vol. 8, Ch. 5, 150–152 (in Ukr.).